기술에 종속되다: 크로넨버그의 『크래쉬』에 나타난 니힐리즘과 하이데거적 게슈텔

초록

This essay traces the shattering effects of Heideggerian Gestell shown in David Cronenberg’s 1996 film to investigate how the culture of nihilistic spectator can be fueled by human annexation to technology which is akin to the enlightenment impulse gone awry. By reading Crash with the current grappling with technology put forth by thinkers such as Paul Virilio, Fredric Jameson, and Friedrich Kittler, I construe the Cartesian subject as the source of such nihilism. In conclusion, I compare and contrast Deleuze’s conception of time-image with Crash to highlight how the liberating power of the false activated by time-image can serve as a vehicle to navigate the technological wasteland so viscerally visualized in Crash.

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